 | Cook the Thief His Wife & Her Lover, The Lust...Murder...Dessert. Bon Appetit! Genres: Comedy, Drama, Horror Year: 1989 IMDB Rating: 7.00 IMDB Votes: 8092 Actors: Smith, Liz as Grace, Gambon, Michael as Albert Spica, Henfrey, Janet as Alice, Mirren, Helen as Georgina Spica, Roth, Tim as Mitchel, Ashton-Griffiths, Roger as Turpin, Stewart, Ewan as Harris, Olsen, Gary as Spangler, Gillespie, Emer as Patricia, Hinds, Ciaran as Cory, Howard, Alan as Michael, Cook, Ron as Mews, Richard Bohringer as Richard Borst, Breeveld, Arnie as Eden, Alleff, Tony as Troy |
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| This is one of those "Loveman Hatem or" movies. I do not like. It's like a shooting game, everything screams "look at the art," but I have not seen much. Thinking that he had no space on my hard drive for a month because I stayed with this movie. Let me explain to you: if you are a normal Goeran movie, stay away from this. It has grotesque imagery, but it is not fun as the gore really stupid in horror movies and it is not shocking as in historical or socio-political. It is with gangsters, but all they do is talk loudly and annoyingly throughout the film, is extended to the pretentious garbage. Have you seen films like "Lock, Stock and Barrel"? Do you remember the gangsters always speaking in metaphors and much gangster before doing things? Imagine two hours of talking about this kind of the same litter, with the same accent, but doing nothing really. Now if for some reason or another, want to see all the movies with a particular actor or directed by a director and actors to stumble in this film or the director, then see this. You do not like the movie anyway, but it achieved its goal. I rarely give a signal of less than 5 years, but this movie deserves it. |
| Revenge has never been notified that well - and artistically delicious. The visuals, costumes, the set decoration, change the colors of the cinematography and the soundtrack for this black comedy are impressive - the grandmasters were working on the film - Peter Greenaway, first and foremost a painter and a fine damn, his brilliant cinematographer Sasha Verny, his amazing composer Michael Nyman, who used to film the incredible "Memorial", and Jean-Paul Gaultier, who designed the costumes. They have also contributed to Helen Mirren (as the long-suffering wife, Georgina, in the end will serve to her husband very well cooked revenge) and Michael Gambon (Albert-the thief, the gangster, the incarnation of pure evil and the owner of the Swank restaurant) as the two stars. Alan Howard plays a regular guest at the Georgina is attracted to and carried out with a case in restaurant bathrooms and rooms later in the back, with the help of the artist-cook (Richard Böhringer). Each frame of each movie Greenaway looks and feels like an exquisite painting. "A Zed and two Naughts" Greenaway is a tribute and admiration for Vermeer, The Contract Draftsman very openly refers to Caravaggio, Georges de la Tour and other French and Italian artists. "The cook the thief, his wife and her lover" bring to mind Rembrandt, but I see Peter Greenaway as Hieronymus Bosch, film - the creator of great beauty, divine canvas that represents all the horrors of hell that only humans can inflict on another. |
| This film adds a new dimension to the black comedy genre. We are talking about pitch black, on Friday, 13 of the darkness here. From the first scene to the last, that appalls and disappointed. However, it is strangely compelling. Which revolves around a woman trapped, surrounded by the wrath of the thieves of her husband, whose volatile temper unleashes itself at any time. She spies a lone bookseller, and begin a dangerous adventure together. The thief then discovers the affair, and their anger is to let loose the woman and her lover. It is well above the upper and terrible, the violence is graphic and explicit sexuality. The insinuation is concise and ribald, most of the comedy film noir. Those are the qualities that make the film so good. Nine out of ten. |
| I think this is the worst movie I've seen in a long time. It is interesting in the first place, with its great use of color and apparel. But in the end, I was very sick of it. The element is played to a grotesque extreme. It was not the violent and often repulsive images that I liked (although it is too), rather, is the fact that everything in the film was too obvious. I think a movie that tries to be Artful should make sense in a more subtle level. But the symbolism of this movie was released on his face, as much a "force-feeding." Any value that contains this movie can be within the first twenty minutes (ie, the use of color and costume). For the rest - I think the director takes itself too seriously. My friends and I could not help laughing at scenes that were intended to express the utmost pathos. The end scenes were so ridiculous, for example, a verbose, I had to get out of the movie. After it was over, my friends and I really felt offended that he had been subjected to both pretentious and, in my opinion, false - art. |
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