 | Confessions of a Dangerous Mind When you lead two different lives, it's easy to forget what side you're on., His future was uncertain. His every move was being watched., Some things are better left top secret Genres: Drama, Biography, Thriller, Crime Year: 2002 IMDB Rating: 7.10 IMDB Votes: 25336 Actors: Hall, Jennifer as Georgia, Rockwell, Sam as Chuck Barris, Hirsh, David Julian as Freddie Cannon, Pitt, Brad as Brad, Bachelor #1, Roberts, Julia, Clark, Dick as Himself, Cera, Michael as Chuck, Age 8 and 11, Carter, Melissa as Chuck's Date #3, Morgan, Jaye P. as Herself, Sweeney, Michelle as J. Sweeney, Ceci, Chelsea as Tuvia, Age 8, Rose Ambroziak, Aimee as Chuck's Date #1, Damon, Matt as Matt, Bachelor #2, Blais, Isabelle as Chuck's Date #2, Clooney, George, Gyllenhaal, Maggie as Debbie, Hauer, Rutger, Elkin, Ilona as Georgia's Girlfriend, Barrymore, Drew as Penny, Tucker, Sean as Barfly, Westley, Jennifer Rae |
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| There is something about movies with TV personalities of the 70 that automatically makes me want to watch. And this is not an auto. I think this is a great story if it's true or not. I suspect that the real Chuck Barris in mind, but I suspect he was doing a little bit of pot and alcohol do so in the film. My biggest beef is the casting of George Clooney and other major stars of the film. That clash with the casting of the Barris. The BIG exception to this rule are very clever cameos by Matt Damon and Brad Pitt. The quotation at the end of the film by a great Barris (spoiler?): "I have an idea for a new Gameshow: three old guys sitting around discussing how close reached greatness. At the end of the show, the one that did not blow his brains out wins a refrigerator. " |
| Chuck Barris knows what sells, and he gives you. I do not buy for a second that he was a CIA agent recruited by the CIA. But, not to make a story much better than its story from real life. The "spy" of the sequences in this movie resemble each Cheesy spy novel or movie that was never removed. And it seems that Barris has seen and read all these films cheezy to form their "souvenirs". If you pay attention, you will notice that the cameo of the real unknown comic really serves to establish the premise that all this was a fantasy Barris. After all, if someone had pulled a gun at you and that drew directly on his head, you figure that its a great memory of that person would be the case. But the best thing that could emerge from the unknown comic for this movie was "I never saw that side, but a large part of the crew thought it could turn into them." That does not sound exactly like the declaration of a do in a film that aims to reveal the "truth". Putting all that aside, like a movie, I thought it was fine. Lots of twists and turns, not on the dark side at all, as some have commented. It's a glimpse inside the delirious ramblings of a sick mind, which I thought was fun and different. |
| Too often, when a player decides to try his hand at the address, the result is disappointing. It is as if the players feel the need to prove themselves as a bold vision of the direction that the style of his film takes precedence over substance. Such is the case here with "Confessions of a dangerous mind." George Clooney overdirects this movie to the hilt. Count the number of non-conventional compositions that serve no purpose other than to be unconventional. I love the pilot, the original film, but I hate pretentious directors who think that merely by shooting a scene from a crooked angle they are doing great art. "Confessions" should be much better than it is because it's full of striking images, music propulsion and very good results. But it is a mish-mass, not helped at all by the mess of a script by Charlie (most over-rated in Hollywood scriptwriter) Kaufman. And who took the decision to shoot the entire movie in a funky, surreal color scheme should be denied the right to work in the cinema forever. Again, it serves no purpose and theme does nothing but distract. This is not a horrible film - is not even necessarily a bad movie. However, I just did not like it. It contains elements of good - the acting, for its part, is pretty solid in all - but I thought the whole thing just felt flat, and not anywhere near as interesting or dynamic, as they seemed to think it was. Grade: C |
| Confessions of watching the credits one may wonder if George Clooney film without any help. I mean, Charlie Kauffman wrote the screenplay, and Soderbergh is one of the producers. I think that there is no doubt that both gave a hand to Clooney. The influence of the Coen Bros. is fairly obvious (Clooney is a good friend of them, and has worked on two of his films), Clooney has chosen a slope, one of the most popular television producers in the 70s (Chuck Barris), who worked as a CIA agent at the same time. A true story. Perhaps one of the advantages of an actor-director is making a good selection of players and just take them where you want. In this way, Dick Clark, Drew Barrymore, Julia Roberts, Rutger Hauer veteran, are high (especially Clark, despite the abuses that some of its "whisper" -). The film has been built as a pseudo-documentary: We've seen the people who took part in the story tells us about Barris. We also hear the voice of more than Barris throughout the film. The plot is a bit confusing at times, and sometimes Clooney is slowing down more than necessary. I can not heklp think that with this story, a more experienced director have done a magnificent appeared film. Therefore, George Clooney becomes as a promising filmmaker, to the class (as himself). We'll see if that promise becomes a reality. My type: 7 / 10 |
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